7pm EDT via ZOOM (link sent in confirmation email)
$20/$10 members
THE LOCKDOWN SESSIONS - Every Saturday. Hear a set recorded by musicians in their respective lockdown stations, and join us for for the culminating concert where each musician will present their set and answer any questions & chat.
Reservations are required at $15/$5 members. We will send you a Zoom link with instructions approx. 30 minutes before the Lockdown Session.
Each Lockdown Session will be recorded on the day, so anyone who purchases a ticket will have access post-concert.
ABOUT THE MUSICIANS
TERRI LYNE CARRINGTON
Three-time GRAMMY® award-winning drummer, producer, educator and activist, Terri Lyne Carrington started her professional career as a “kid wonder” while studying under a full scholarship at Berklee College of Music in Boston. In the mid '80’s she worked as an in-demand drummer in New York before gaining national recognition on late night TV as the house drummer for both the Arsenio Hall Show and Quincy Jones’ VIBE TV show.
In 1989, Ms. Carrington released a GRAMMY®-nominated debut CD on Verve Forecast, Real Life Story, and toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the GRAMMY®Award-winning album, The Mosaic Project, featuring a cast of all-star women instrumentalists and vocalists, and in 2013 she released Money Jungle: Provocative in Blue, which also earned a GRAMMY®Award, establishing her as the first woman ever to win in the Best Jazz Instrumental Album category.
To date Ms. Carrington has performed on over 100 recordings and has worked extensively with luminary artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Cassandra Wilson, Dianne Reeves, James Moody, Yellowjackets, Esperanza Spalding, and many more. Additionally, Ms. Carrington is an honorary doctorate recipient from Berklee, and currently serves as Founder and Artistic Director for the Berklee Institute of Jazz and Gender Justice.
In 2019 Ms. Carrington was granted the Doris Duke Artist Award, a prestigious acknowledgment in recognition of her past and ongoing contributions to jazz music. Her current band project, Terri Lyne Carrington and Social Science (a collaboration with Aaron Parks and Matthew Stevens), released their debut album, Waiting Game, in November, 2019 on Motema Music.
Waiting Game has been celebrated as one of the best jazz albums of 2019 by Rolling Stone, Downbeat, Boston Globe and Popmatters. Downbeat describes the album as, “a two-disc masterstroke on par with Kendrick Lamar's 2015 hip-hop classic, 'To Pimp a Butterfly'..." Ms. Carrington was named as JazzTimes Critics Polls’ Artist of the Year, Jazz Artist of the Year by Boston Globe, and Jazz Musician of the Year by the Jazz Journalists Association.
NASHEET WAITS
Starting out on vocals and percussion, Lionel Loueke picked up the guitar late, at age 17. After his initial NASHEET WAITS, drummer/music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits. Over the course of his career, Freddie Waits played with such legendary artists as Ella Fitzgerald, Sonny Rollins, Max Roach, McCoy Tyner, and countless others.
Nasheet’s college education began at Morehouse in Atlanta, GA, where he majored in Psychology and History. Deciding that music would be his main focus, he continued his college studies in New York at Long Island University, where he graduated with honors, receiving his Bachelor of Arts in Music. While attending Long Island University, Waits studied privately with renowned percussionist, Michael Carvin. Carvin’s tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach. It was Max that first gave Nasheet’s formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M’BOOM. One highlight of Nasheet’s tenure with M’BOOM was the live concert performance of M’BOOM with special guests Tony Williams and Ginger Baker.
Nasheet’s talent came to the attention of reedman Antonio Hart, who asked Waits to originate the percussion chair of his first quintet. Waits remained a standing member of Antonio’s various ensembles, recording three albums and touring nationally and internationally in noted venues, jazz festivals, as well as live television and radio performances. Nasheet remained a member of Antonio’s group through 1998.
Most recently Nasheet has been a member of Andrew Hill’s various bands, Jason Moran’s Bandwagon, and Fred Hersch’s trio. As an originating member of pianist Jason Moran’s Bandwagon, Jason, bassist Tarus Mateen, and Nasheet have been deemed, “the most exciting rhythm section in jazz” by JazzTimes, The 2001 recording “Black Stars” with the Bandwagon, featuring Sam Rivers was named the “Best CD of 2001” in (Jazz Times, Jan 2002) and “The New York Times”.Nasheet’s recording and performing discography is a veritable who’s who in Jazz, boasting stints with jazz notables such as Geri Allen, Mario Bauza, Hamiett Bluiett, Abraham Burton, Ron Carter, Marc Cary, Steve Coleman, Stanley Cowell, Orrin Evans, Stefon Harris, Andrew Hill, Bill Lee, Jackie McLean, The Mingus Big Band, The New Jersey Symphony Orchestra, Greg Osby, Joshua Redman, Vanessa Rubin, Antoine Roney, Wallace Roney, Jacky Terrason, Bunky Green, and Mark Turner. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States.
Amidst his performing, recording and touring activity, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music. He has been heralded for his musicality and creativity by such virtuosos as Ed Thigpen, Max Roach, Andrew Hill, and Stanley Cowell . True to his personal philosophy of the necessity to balance Tradition and Modernism, Waits collaborates and performs regularly with a wide range of artists. He remains dedicated to exploring his role and creative path in music.
MATT MITCHELL
“A pianist of burrowing focus and an indispensable fixture of the contemporary vanguard” – Nate Chinen, The New York Times
Matt Mitchell is a pianist and composer interested in the intersections of various strains of acoustic, electric, composed, and improvised new music. He currently composes for and leads several ensembles featuring many of the current foremost musicians and improvisers, including Tim Berne, Kim Cass, Kate Gentile, Ben Gerstein, Jon Irabagon, Travis Laplante, Ava Mendoza, Miles Okazaki, Ches Smith, Chris Speed, Tyshawn Sorey, Chris Tordini, Anna Webber, Dan Weiss. He is an anchor member of several significant creative music ensembles which integrate composed and improvised music, including Tim Berne’s Snakeoil, the Dave Douglas Quintet, John Hollenbeck’s Large Ensemble, Dan Weiss’s Starebaby, Jonathan Finlayson’s Sicilian Defense, Steve Coleman’s Natal Eclipse, Kate Gentile’s Mannequins, Mario Pavone’s Blue Dialect Trio, Anna Webber’s Simple Trio, Ches Smith’s We All Break, the Dave King Trio, and Quinsin Nachoff’s Flux. He is also among the core performers of John Zorn’s Bagatelles.
Musicians with whom he performs and has performed include Steve Coleman and Five Elements, Rudresh Mahanthappa’s Bird Calls, the Darius Jones Quartet, Jon Irabagon, Michael Attias’ Spun Tree, Chris Lightcap’s Bigmouth, John Hollenbeck’s Claudia Quintet + 1, Ohad Talmor’s Grand Ensemble, JD Allen, Rudresh Mahanthappa and Bunky Green’s Apex, Rez Abbasi’s Invocation, Lee Konitz, Kenny Wheeler, Ralph Alessi’s Baida Quartet, Dave King’s Indelicate duo, Amir ElSaffar, Marc Ducret, David Torn, Vernon Reid, Clarence Penn and Penn Station, Linda Oh, Rudy Royston, Allison Miller, Donny McCaslin, Brad Shepik, and Darcy James Argue’s Secret Society.
He has taught extensively with the Brooklyn-based School for Improvisational Music, as well as at the New School, NYU, and the Siena Jazz Workshop. He is also a 2015 receipient of a Doris Duke Impact Award and a 2012 recipient of a Pew Fellowship from the Pew Center for Arts and Heritage.
FIRAS ZREIK
Firas Zreik is a Palestinian Kanun Player, Composer & Arranger born in Haifa in 1995, currently based in Boston in the USA. Firas received a full-scholarship from the prestigious Berklee College of Music where he studied for five years, earning two bachelor degrees in Performance & Jazz Composition with high distinction.
He worked, recorded & performed with master musicians and artists from all over the world, including Roger Waters, Shankar Mahadevan, Shreya Goshal, Marwan Khoury, Simon Shaheen, Bassam Saba, Amal Murkus, Fabrizio Cassol, Amir Al-Saffar, Aynur Dogan, Raghu Dixit and many more.
In addition, he performed all over the United States, Europe & the Middle East, both as a Kanun player and as a musical director in some of the most prestigious venues and festivals such as Boston Symphony Hall, Lincoln Center-NY, Carthage International Festival – Tunisia, Savannah Music Festival, Institut de Mont Arabe – Paris, Teatro Mediterraneo – Napoli, Festival d'Aix-en-Provence, Smithsonian Museum – Washington DC, Palais des Congrès - Belgium, Berklee Performnce Center, The Jazz Gallery - NY, Nuoro Jazz Festival & many more.
His mother, Amal Murkus is a leading Palestinian singer of international renown. Firas is the musical director of her band, he also recorded on her latest album, in addition to writing and composing many of her recent songs. The two have toured together in Europe, USA & the Middle East and are working on new albums.