LIVESTREAM SILVER SPONSORED BY CLIF HUBBY
Marquis Hill - MADE IN NEW YORK:
The Music of Bud Powell, Cecil Taylor, George Cables, Jackie Mclean, & Sonny Rollins
Marquis Hill -trumpet
Immanuel Wilkins -alto saxophone
Rashaan Carter -bass
Marcus Gilmore -drums
LIVE STREAM CONCERTS - LIVE FROM THE JAZZ GALLERY!
SPONSORSHIP
The Jazz Gallery is a not-for-profit arts organization presenting emerging artists who challenge convention, take creative risks, and lead their field as performers, composers and thinkers. We provide a platform for artists to discover their unique voice and a home for established musicians to continue to experiment and grow. At The Jazz Gallery, artists and audiences come together from around the world to explore new creative ideas, collaborate and celebrate jazz as a dynamic art form that reflects our ever-changing world.
We rely on the generosity of our members and community to keep the music playing, thank you for your continued and much appreciated support! If you would like to sponsor a Livestream Concert, please use the links above or be in touch with our Executive Director, Janet Luhrs, here.
MARQUIS HILL
From his beginnings as one of Chicago’s most thrilling young trumpeters, to his current status as an internationally renowned musician, composer and bandleader, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz, hip-hop, R&B, Chicago house, neo-soul—to Hill, they’re all essential elements of the profound African-American creative heritage he’s a part of. “It all comes from the same tree,” he says. “They simply blossomed from different branches.”
That mission to bring styles together, complemented by Hill’s absolute mastery of his instrument, is a through line connecting his many achievements. It can be heard on his latest album, Modern Flows Vol. II, with its seamless blend of jazz interplay, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play, his Concord Jazz debut from 2016, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group, the Blacktet, which the Chicago Tribune called “a remarkably polished, immensely attractive ensemble.”